Thursday, November 27, 2008

I've been feeling not so great lately. I can try and trace reasons although I'm not sure how legitimate they would be since whenever my mood changes in some way I add a shiny new explanation and remedy and then barely remember the ones before or exactly what events led up to them or not events maybe but just series of feelings or even series of decisions that lead to me feeling bad. When I got home this morning I felt a little like vomitting from depressedness maybe although I can't be sure that's why - maybe it's because I haven't eaten in a while or I'm just making it up because I can never be sure what I'm making up at the time only sometimes I can tell later but then even later than that I might learn something new and change my mind again - but I felt like throwing up and then maybe crawling into bed for the day. Prior to this was a train trip in which my mood had swung many times between feeling good from the music or feeling like I could write something to feeling there was is not enough time to consume all the books etc. I want to especially because I'm so slow at it and so there's no point bothering with it and - I'll say it - dread for the coming days of work and nothing to look forward to until sunday night when I will see jared next but only as a mild break from the dread since that will only be for a little while and then not again until tuesday. I'm bad. I need constant attention or I will hate myself. Which is silly. And maybe I've been encouraging feeling of badness, actively choosing them over other options but then maybe that's because that's kind of how I feel at the moment and I need to have a dark period so I can feel like I did after this mornings' not vomitting and deciding that no I would not crawl into bed for the day because that would be a bullshit choice that would maybe gratify me on some level but I'll just end up feeling like shit and more importantly what can I be to other people if that's all I am because that's a good reason not to let it go too far if there is a good reason for that and so I decided this is bullshit and there must be something I can do and then I had to urge to go on the computor and then I read Amanda's blog and then I felt like blogging myself because maybe this would help my delineate a few things? Things happen, suck it up. I'm ok now.


[Edit made later after feeling better and consequent better ability to analyse the situation]

Self-diagnosis: postpartum (postnatal) depression; symptoms include

  • Sadness
  • Hopelessness
  • Low self-esteem
  • Guilt
  • Sleep disturbances
  • Eating disturbances
  • Inability to be comforted
  • Exhaustion
  • Emptiness
  • Inability to enjoy things one previously enjoyed
  • Social withdrawal
  • Low or no energy
  • Becoming easily frustrated
  • Feeling inadequate in taking care of the baby (or feeling like one cannot take care of the baby)
  • Impaired communication in speech and writing
  • Spells of anger towards others
  • Increased anxiety or panic attacks
So now I just have to find my baby. I think the government stole it.

Saturday, November 01, 2008

all this talk of selves is making me hungry

I think the film in question is called Night of the Living Dead but I can't be sure, it's just too subtle and scarey to understand anything!



You can watch the entire movie on youtube. And when I say "you" I mean you, since my computor/internet connection couldn't possibly handle it.
My first embedded video! I'm moving up in the world.

Oh McSweeney's, you have all the advice I need to get through life. For example, if I wake up one day buried alive I now know how to handle the situation with confidence. Thank you Jim Stallard! Although I'm not sure what this means: HLY SHT BD ALV. GT HLP, BRG SHVL, OXY, BR (NT PBR) Somebody please help me understand. So far I've got "holy shit buried alive. Get help, bring shovel"... don't know what the rest means. Does anyone?

And omg more zombies plus Thriller world record! That many zombies together dancing like Michael Jackson, holy piss awesome

Monday, October 20, 2008

and pretending i was finally free

More Foster Wallace is my hero:
He just writes in a way that fits so perfectly with me that it seems specifically aimed at me sometimes.
I read this article he wrote about the Maine Lobster Festival - he was assigned to a regular reviewy piece and he ended up writing an incredibly accessible article about the ethics of eating meat, accessible in that it touches on the more complex arguments but sticks to the most basic one that is do the animals seem to show a preference to avoid pain? undeniably yes, and you can't really just avoid that (he has such a way of trying to look at all the sides of an issue not so it seems tedious or overly scrupulous but vital), which has made me more vegetarian, although this doesn't mean much because I already avoid meat where I can most of the time, but I'm not going to demand my mum only cook me vegetarian meals because that would be war.
DFW=swoon

and the birds flew around like the whole world was ending



Here's a graduation address given by David Foster Wallace. I find it perfect. He is my hero. Here's an excerpt if you don't want to read it all (but excerpts don't really capture it...):

That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.

I know that this stuff probably doesn't sound fun and breezy or grandly inspirational the way a commencement speech is supposed to sound. What it is, as far as I can see, is the capital-T Truth, with a whole lot of rhetorical niceties stripped away. You are, of course, free to think of it whatever you wish. But please don't just dismiss it as just some finger-wagging Dr. Laura sermon. None of this stuff is really about morality or religion or dogma or big fancy questions of life after death.

The capital-T Truth is about life BEFORE death.

It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over:

"This is water."

"This is water."

It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out. Which means yet another grand cliché turns out to be true: your education really IS the job of a lifetime. And it commences: now.

I wish you way more than luck.



I've been listening to Ani DiFranco's song Independence Day. It's not the style of thing I've been into in a while, pretty much all year, but it feels important to me right now for whatever reason.

<3

Wednesday, October 15, 2008

Here's a ninja poem by Emily Kwickinson:


Flower, Pretty Flower

Flower, pretty flower
I stop to smell you
you take my nose away.
Wait a minute,
why are you so sharp?
You are not a flower.
Now I have no nose,
face, bloody face.


Ask a ninja is the awesomest.

yo sukkafish, i'm falling before you, i'm falling before you

lol
Also, I got my external hard drive today. Measurements: a cd x my hand with all the fingers tight together x the end of a usb cabley thing, and probably the weight of those things. And it cost me $116.99 (including postage). Woo me! I think I might get a lap top. And last week I got firefox and vlc. I am on my way to catching up with all the cool kids

Sunday, October 12, 2008

On a clear night if you look close enough you can just make out love and other plaaaaneeets

So I think that politics (i.e. who to support, what policies to support etc.) is too fucking huge so I would have to put so much time into becoming informed about it, time that I would rather spend on other things, that there is definitely no point in forming opinions because if I did they would be hopelessly inadequate. There is so much you'd have to look into to really understand things it's insane - for the first thing there's the actual policies themselves, to understand which you'd have to understand every field evaz (looking into all the theories of psychology, psychiatry, psychoanalysis, sociology etc. [also involving learning all about these as well, meaning further research]); all the different theories of economics; all the different theories of...all this other stuff that I don't know the words for, but in short everything; then you have to take into account that people lie and misrepresent and everything people say is laden with rhetoric and their own point of view which is personally and contextually situated; and then you would have to also understand everything about yourself in order to see how you were interpreting the stuff you were researching. i.e. know everything eva.
But I guess I'm going over the top a little. Probs you can still be informed without knowing everything eva or at least try but I have other things I would prefer to do. Probs this makes me a terrible person.
I thought someone at work backstabbed me pretty bad but apparently she didn't (although you never really know if someone's telling the truth/whole truth or not but you can't just always treat everything as though it's lies it's juts that it's not surprising when things turn out to be so). So that's nice.
And as I was writing this stuff I came across a Wall Street Journal article that talks about this a little. Here's an excerpt:

"...And yet at the debate, when one citizen-questioner invited both candidates to think aloud about the responsibility of our representatives in Washington, they both gently suggested she was cynical.

She was not cynical. She was informed.

Why would anyone trust either candidate to help dig us out of this if they can't speak frankly about what got us into it?

One had the sense this week that our entire political class is playing Frisbee on the edge of a precipice, that no one is being serious enough, honest enough, that it's all too revved, too intense, and yet too shallow. I have grown impatient with the strategists from the campaigns, the little blond monsters who go on cable TV to give us their bouncy, aggressive, tendentious talking points. They are like the men on the plane, the gargoyles with BlackBerrys who think the race is about them and their personal win/loss ratio, who think history is their plaything, who stay up with the press in the bar sipping Perrier and calling it seltzer, and who advise their candidates, in essence, to talk down to the voters, to the American people. They treat every crisis as if it is a political fact to be used for gain or loss, and not as a real crisis, something that deserves a response of gravity and seriousness.

It is asking a lot to ask a political animal to be thoughtful, because they find meaning in action. They are propelled through life by the force of their hunger. But now and then you want to see them think. You want to see them speak the truth. This is one of those times."

It's hard/impossible to know what's real. This information isn't 'getting me down' though anymore, it's just something that needs to be realised. A basic lesson of life I guess. This shirt really appeals to me. I just find it nice and also a little comforting and a little...just kind of perfect. Maybe I will get it.
I'm feeling like I might like to move out, but I'll wait a while and see. I'm not sure if it's really worth having to work more and maintain my life/a house more when home isn't really a problem, I'm just feeling on quite a different wavelength to my parents. We'll see.
Other things: Ummm, I don't know. I got my Who Killed Amanda Palmer cd and my I Killed Amanda Palmer shirt the other day and I purchased a 250G (that's the abbreviation that all the cool kids use right?) hard drive that's only the length of a pen and like 200 grams or something insane like that. I like consuming!
Also, Rishi, if you're out there, here's a website for you!
Love

Monday, September 22, 2008

I think that all creative work is inherently representational, self-consciously or otherwise. So when women are represented as creatures with no intelligence of their own further than how best to dote on their man this is simply employed for the purpose of communicating something experiential that cannot be reduced to its politics, but is felt. This idea of course has its limitations, in that it can ignore the very real influence of the political in everyday life. Also, I know I am hypocritical about it. When it comes to something I'm not particularly passionate about at the moment I'm thinking about it like the prior I dismiss it as mere representation, but when it comes to something I have some investment in at the time I see it more in political terms, such as the way some people look at contemporary USA and say it's going to hell because I think that shows they're dismissing good things and only seeing bad. But on a basic level I think it is all representations of parts of humanity that transcend political reductionism.
I realise that the same is thus true for everything I think. So I'm content to say "oranges are delicious; if it wasn't for the fact the last few bites are just not-nice-tasting pulp they would be the best fruit ever" or "that person's shirt is fucking stupid" or whatever general value judgement because I'm aware that it's only my opinion. This means that I am comfortable stating value judgements as though they're True. But if I keep that up will I come to forget the more subtle feelings and believe my words?

Also, I am so embarressed by this blog and by so many things I have written to people and shown people of myself and it feels like I let these huge slippages appear in the me I want to show to the world that others don't let appear so I just look like the biggest retardloserevaz. This has a lot to do with trying to be in the world in particular ways by only going through particular motions of awesome ways of being without actually having the full context of that awesomeness, such as deciding to be honest about particular things that really have less to do with honesty that with other things, or thinking it would be great to build a community of such and such people by writing one thing but never really working on the more important parts of that. So I've decided I must self-regulate more and bottle things like creative impulses up more and not let anyone know and then maybe they'll actually grow and only be shown to the world when they are worthy.

Thursday, September 18, 2008

let's live and breath our eulogies

A few days ago, an American writer named David Foster Wallace killed himself, finishing off a more than twenty year battle with the hell of depression. I hadn't heard much of him before he died, but when he did, the McSweeney's website posted a tribute to him, and I thought I'd have a look at his stuff. I borrowed a book of essays called A Supposedly Funny Thing I'll Never Do Again, and i have been blown away. His writing is so impressive. He was amazing. Check him out. And it inspired to to write the following (i think i was thinking along these lines before, and his death jsut really pushed me along).


Sometimes people die. And when they do, people who knew them start speaking, weaving this poetics around them, around the idea of their lives and who they were and what they meant to the world, and sometimes this is falsified, so that Joe Blow across the road who used to yell at you to shut up and stay off his lawn when you were a kid but who once gave you a cookie when you were crying after you fell of your bike one day but who you don’t really know anything about, has posthumously become this emblem of saintly generosity and the best in humanity, and we must keep his memory alive.
But the people who are still living usually don’t get such treatment. What will we say about them after they have died? What will we say about our girlfriends, our boyfriends, our best friends, our parents, our sisters and brothers and favourite lecturers?
There is this poetics that is mostly reserved for the dead, or else the distant idol, that brings such an appreciation of their lives. I remember going to the funeral of some old man many years ago – maybe my grandfather, maybe someone else’s, I don’t remember – the things that were said about him there amazed me. Apparently, he had done all this stuff in his life that I had no idea about because no one ever really talked about it, especially as he grew old and senile and became in some ways a burden to be put up with out of duty rather than this person worthy of admiration. Because when you live with people day in day out you easily forget things that would render them worthy of such worship in a eulogy, or else you don’t think of this half as poetically as you do after they’re no longer with you.
Maybe sometimes we should all pretend our favourite people have died, and weave beautiful mythologies around their lives.

Sunday, September 14, 2008

spinning pretty somethings behind my eyes



I hate lack of communication. When you’re over there and I’m over here and all we have are the spaces in between and the spaces in our heads. Sometimes it feels like you don’t exist. But then sometimes it feels like I don’t exist. It’s symptomatic. But it’s hard to hold onto something when you’re not sure what it is because it’s not there now and you doubt if it ever really happened at all, but you have the memories, but sometimes they’re not enough. But sometimes they certainly are.
This weekend has been nice. Friday was a nice day, spoke to an acquaintance outside of class, he happened to sit next to me at the library and really need my help with something, right after I decided that I really need to be more open to building relationships with people rather than always being ruled by the way that has hardly ever worked for me before. But it would seem to make sense to live by that if it’s all I’ve ever known, if it always goes wrong, but then I assume I’m just doing something wrong in myself that can be rectified over time as I try to learn. And then I waited for a bus which didn’t come for ages and then when buses finally did come they were full, so I waited for half an hour, and I was frustrated and annoyed but simultaneously having a good time just standing there and the evening was beautiful and the bats were materializing out of the sky above the city and the afternoon colours turned to night colours and I knew it was going to be a good night, knew it in a way I’ve never felt before. Party at Bob’s was fun, with the breaking of a tap I don’t understand how and much talking to people I think although come to think of it I can’t remember that much talking…no there was talking…I think…it’s fading like a dream. And upset walkings with myself at some time but no one knew I was gone of course, and lots of drinking and niceness and waking up the next morning to niceness and loves, but with no recollection of how I got where I was even though I was told I wasn’t completely carried there, and then Saturday’s chief occupation was being hung over and spending hours trying to make myself eat because when I’m that hungry I can’t eat so it’s kind of a vicious cycle. And I voted, which was way exciting. And then some tasty tapas for dinner and then sleeping and loves and then working and then reading Regina and Amanda’s blogs and being so so jealous of their amazingness and now typing myself.
Then I need to do an essayish thing about doppelgangers for Thursday and a draft of a biographical thing about Jorge Luis Borges for Friday and then two weeks off uni in which I will write an essay about a street art exhibition in Newtown and finish the Borges piece and then come up with ideas for my final assignments.
Insight for the year (a breakthrough one pour moi): it is worth doing stuff.
Much loves

Sunday, June 15, 2008

No surprises please



I watched the film Adaptation the other day and it had quite and effect on me from literally the first ten seconds. The voice over of Charlie Kaufman's thoughts with only the black screen and little credits at the bottom reminded me so much of Fitter Happier. It was that same morning that I had listened to OK Computor the whole way through for the first time, because I never really liked Radiohead before. That song in particular used ot make me so mad because it seemed to be the sort of nihilistic social criticism that wasn't actually helpful in anyway but only looked at valid human experience and said 'man this shit is fucked up, full stop!' But this time it struck me so much. It seems to be kind of freeing me more from a way of thinking that is a series of cliches that have lost their real meaning and worth. Some of the things in Fitter Happier and Adaptation are worthwhile things, like exercise for example. But when they become nothing but empty statements like "maybe I should start jogging again, yeah, five miles a day from now on, yeah"...fitter, happier, more productive...empty nothings that fill up head room and sap actual possibility.

Instead, somehow, I feel like it's possible to interrupt that inane chatter and actually do something zomg! ... as I try to say it it seems elusive...I think I should watch the movie again or lsiten to the song again...but it wouldn't have the same effect, you can't just listen to it trying to get the smae thing out of it again, trying ot get the same feeling, it doesn't wokr that way...it feels like there's some possibility here, but I don't know how to sieze it so actual change takes place, rather than just letting this idea drift away and be forgotten. I don't want that. But the feeling seems to be going the more I think about it. There's stuff to be got at, but it's so hard to get at it!

I really like Katherine Mansfield. She is impressive to me. In her stories, there is always this feeling of being on the brink of some revelation. That's what I feel like so much of the time. Like if one little thing would just click into place then the puzzle would be solved and I would be there. It's amazing to have something so personally experienced and never to have talked about it with anyone, and then suddenly to find it perfectly expressed by someone else. It makes me wonder (amazement) at things. It feels like that's something to challenge the constructivists, the materialists etc. and point towards some sort of common characteristic of human experience that defies strict materialism. It of course does not have to mean this, but it one possibility of many, and one that feels to me like it might have some element of truth to it. You could say that humans are just wired so that they feel that way, and that's fair enough, but both conculsions are really a matter of assumption to a large degree, rather than empirical evidence, are they not?

Writing like this as oppossed to thinking directly about the problem of trying to learn the lesson that seems to be there to learn actually makes the lesson seem less elusive. I've never noticed that before. Maybe that's because I've always shied away from this sort of discussion. But now I am being pushed :D

It reminds me of something Merleau-Ponty wrote in The Visible and the Invisible...I'll go find it...He writes about what he calls 'the intertwining' or 'the chiasm' in relation to our experience of the world, elaborating on the idea that you cannot create a sort of serparation between self and other, inner and outer etc. because they fundamentally overlap. This is a familiar enough concept. One thing that particularly struck me in his work, though...I can't find the exact part, but his point was that when trying to know something (not a mathematical priciple kind of thing but rather lived, intuited experience things) you cannot think of it in terms of a 'me' trying to understand an 'it'. This mode of inquiry will not work because the 'it' cannot be separated from the 'me'. This is kind of hard to write, a bit like the elusive things i'm trying to talk about, but do you get a bit of what I'm trying to say? Does this make sense? I cannot approach this elusive lesson as a something else to be incorporated into me because it is already part of me.

It's like poetry or music or abstract art, which must be 'intuited' in part to be understood (I mean intuited in the way poets love to use it - not some extra sensory perception but something that's understood partly by feeling it).

This might be getting pretty boring and a little inscrutable? I don't find it boring, but I'm the one writing it and experiencing it so...

But in short I shall say that the way you understand art and poetry is also, I think, the way you understand life - it's subtle, felt, intuited, combined with rationally thought and comprehended. Niether is more important because each needs the other for understanding. This seems to be what a number of philosophers (such as Heidegger, Merleau-Ponty, Nancy) and, of course, poets have thought. They use both intuition and intellect to try and reveal something of truth. It's easy, at least for me, to just go for rational thought and think you don't have time for the subtle and complex process of intuiting meaning and piecing things together. It is also easy to do neither properly and just kind of hover in the superficial. A delicious metaphor for this: sitting on the outside of a giant thing of jelly and only getting to lick it rather than diving in and eating it! See kids, academic things aren't just dry and boring - they can be fun and delicious!! Ahem, anyway. The patience and effort is always worth it. Easier said than done. But worth it.

That's more than enough from me tonight! Lovelove

Friday, June 13, 2008

if you always get up late you'll never be on time...good advice

Here is a story I wrote for my writing class (and am going ot hand in today - last assessment woooooo!). I'd really love to hear thoughts on it (except maybe from one tall skinny black man who'll just say that it's bad...unless he has some constructive criticism to add...I'm talking to you Rishi! [in case you hadn't picked up on my incredible subtlety]).



The mid morning sun slipped into the perfect position for its white light to strike the shining metal of a taxi below, and be thrown up again, directly onto the closed eyelids of Dominic Andreas. He was sitting in the driver’s seat with his head lulling awkwardly to the side of the head rest, slightly-too-long brown hair looking like it hadn’t been combed in a week, slow, heavy breaths passing through his gaping mouth. He screwed up his face as if in pain when the bright beam hit his eyelids, and, in a series of half movements, attempted to shift in his seat. When this proved too difficult, Dominic’s mouth closed and his eyes opened slightly.
“Shit,” and he closed his eyes again.
This wasn’t the first time Dominic had fallen asleep here, on the driver’s seat of this taxi, out the front of this rented home. He had been working nights for almost two and a half years now; two and a half years ago, it was only supposed to be a Temporary Job, for a bit of Extra Money. There had been a Plan. But the plan had collapsed over two years ago.
With a weak groan, Dominic forced himself from the seat and out into the strangeness of the glaring sun. The last couple of years had been dominated by the artificial lights of the city and the occasional glow of the moon that seemed to have no rhythm to its appearance. The sun was only hinted at by a faint glow low in the sky at the beginning and end of his shift.
Over this time, the front door of his house had become increasingly difficult to open. To get inside required an awkward action involving inserting the key (which had never quite fit the lock anyway), pulling it out to a specific point, and then turning with an upward push until it clicked. Even then, the door would not give until persuaded by a sharp shove of the shoulder, an act that used to hurt Dominic, but with which he now become so familiar that he barely noticed it. The effort was marked only by the constant presence of a murky blue bruise on the point of his shoulder, which was usually hidden under the light blue synthetic shirt of his uniform.
This house had been part of the Plan too. Like the Job, it was supposed to be Temporary, until they had enough money for a Mortgage in a Nice Suburb. It was a single storey cube of dark red bricks, separated from the concrete footpath only by a squat dark red brick fence and a metre wide patch of grass. Dominic made his way down the short hallway that led straight from the front door to his room at the back of the house, slowly, as his eyes tried to adjust to the shadow. There was a constant lack of light in this place. These old houses that shared both side walls with the neighbours were not built with natural light in mind, and the sixty watt globes they used at night provided only a dim yellow glow.
Dominic unbuttoned his shirt that had become soft from wear, much softer than he had ever planned it to become. He remembered the night when, slipping the top button through the final small slit, he realised how easy this motion was, when once it had once been a struggle. With a heavy breath, he climbed into the old off-white sheets of his bed and closed his eyes.
“Goodnight Marie,” he whispered. Goodnight, he felt her breathe in his ear.

Dominic could see the sky when he opened his eyes, although the dingy glass of the window by his bed dimmed the colours. Light emanated from somewhere below the roofs of the houses on the other side of the alley behind his house. It glowed in a line along the fake horizon, and, higher in the sky, faded eventually to darkness. Dominic looked at his clock. Ten to six. There was a movement in the corner of his eye and he turned his head back to the window. Nothing. Then a streetlamp flickered, and became a globe of white light. The other lamps lining the road responded. Each flickered in its own time and became solid, until the street was dotted with silent sentinels that illuminated the dark. Dominic smiled to them, before pulling the blind closed and switching on his own dim yellow light to get ready to go back to the taxi it seemed he had only just left.
In the night, it was impossible to see the drivers of the other cars on the road. Their faces were obscured by the darkness and tinted windows so that it was easy to forget they existed, that the cars weren’t just empty machines passing by. Even when Dominic picked up passengers, the bubble of protective perspex surrounding him did little to change this sense. And so he had developed a habit that unsettled the people on the other side of that bubble.
“Dom,” he mumbled. This was the name She used to call him. “Dom, look over there. Someone’s waving you down.” He pulled up to the curb beside a woman who got into the car, told him where she wanted to go, and then pulled a mirror from her purse.
“Where is she going, Dom? Looks like a date, doesn’t it.” Marie used to look at herself like that before they went out, after putting the thick dark lines around her eyes, wearing her tight black top that showed the tops of her breasts, the bottom of her belly, the sides of her hips above tight black jeans that sat so nicely under the firm round bulge of her stomach. Then she would look at him with her brow drawn and ask if she looked like a pregnant teenage tart. He would smile, move towards her, touch her cheek, run his hand down the long red of her hair, and, resting it on her belly, say that she looked beautiful. For a moment, her brow would knit up tighter as though someone had pulled the end of a thread hidden behind her forehead.
“I guess that’s what I am, though, baby, eh?”
“You’re not.”
Then she would laugh and her forehead would smooth away, and she would kiss him.
The woman paid Dominic without looking at him and got out of the taxi a little too quickly so that she had to pause on the footpath to smooth her hair.
A string of trips not much different from this made up most of Dominic’s nights. He would take a break at around two o’clock and pick up a sausage roll from some other man who was just working and didn’t care to speak to a stranger at this time of the night. Then he would have half and hour to find a place to sit that wasn’t already occupied by a hobo or a drunk couple. His favourite place was the bench closest to the road in the path that led through Hyde Park. It was brown and weatherworn, and often occupied by a man in rags who yelled at any Asians who passed and had once tried to come on to Dominic. Tonight, though, it was not taken. He sat down on one end of it, looking towards the other.
“Isn’t she beautiful, Dom.”
This was where he had met Marie. It was the same time of night, overcast and cold like winter although it was only April. Dominic’s long black trench coat did little to protect him from the wind as he made his way home after a date with some girl he had known in high school, a few years before. He couldn’t remember her name now.
His shoelace had come undone and was flicking against the ground as he had walked, so he wandered over to this bench, which was then freshly painted. He had paused when, fiddling with his laces, head bent down over his knees, there was a sudden burst of sobbing from the other end of the bench. He pulled his head up and looked around to see a girl who was sitting with her legs pulled up to her chest and her forehead on her knees. Her long black skirt had slid down to her hips, revealing white legs. Her face was hidden behind a sheet of red hair and her black-clothed body disappeared into the dark around it, leaving only the flow of white and red, and the sound of broken moans.
“Do you need help?”
She raised her head slightly and looked at him around her hair.
“I lost my bag and the guy I was with at the same time. Bit of a coincidence, eh?” She wiped her face with the back of her hand, smearing dark make up across her cheek. “You could walk me home.” And so they walked, but not to her house.
It wasn’t until the next day he found out how old she was. “Fifteen,” she said with a grin as she looked up from where she had slept nestled in his arm. He kissed her forehead and stroked the small of her back and couldn’t bring himself to care about her age.
Looking over at the bench, Dominic smiled, then went back to work, leaving the dinner’s plastic wrapping on the seat behind him.

He was called down by a grey-haired man with wrinkles around his eyes, a gut, and a woman half his age in a tight red dress. They sat in the back seat, cooing and giggling as Dominic drove them out of the city and through suburbs that eventually gave way to a winding road bordered by bush. They got out of the car at a driveway and paid Dominic, laughing and nibbling each other’s necks, and he drove back down the winding road. The headlights reached out in front of him, feeling their way over the limbs of white gums. The trees looked emaciated as shadows hid their full form and left only thin parts of branches brightly lit. Continuing to reach into the darkness, illuminating thousands of new leaves at every moment, the lights began to reveal something else. They panned up white legs, to a sheet of long red hair hanging down the back of a woman. She turned and extended an arm like the branches of the white gums, and Dominic glided to her side.
“Hi Dom.”
She looked just as he remembered. It seemed that the years had not managed to touch her. In fact, she looked so much like the picture in Dominic’s mind, the one he had been sleeping beside for the last couple of years, that he felt as though she had never left him.
“Where do you want to go?”
“We’d better get back to the house. The babysitter’s expecting us.”
“Yes, that’s true.”
The trees gradually began passing the car more quickly as Dominic relaxed his foot on the accelerator, but neither of the passengers noticed.
“Dom, baby, we almost have enough money for you to quit this shitty job. We can get a proper house for the baby, some place nice where we can grow old together.”
Dominic turned his head and smiled at her with such a spark in his eyes it seemed no one could ever be happier than he was. But some of it was borrowed light from a truck that had just appeared around a curve ahead. His face was lit brighter and brighter as they drew closer to the truck, and Marie smiled at how happy she could make him. And as they leaned toward each other the glow grew, until their lips met and they couldn’t hear the long loud note of the truck’s horn as they were engulfed by its headlights.

Sunday, June 08, 2008

My weekend: an artist's interpretation

The air is tinged with the subtle chill and deep purple of evening. Light emanates from some place below the distant horizon, generating a blue glow above the darkened land. A breeze touches the back of her neck and she shivers not only from the cold, but from the surprise.
Dark hair lies on the ground like the curls of skin from peeled fruit. Emily placed a hand on her shoulder, softly turned her around and caught her breath.
“What’s wrong with it?”
“You look so much like me.”
The other girl softly bent down, nuzzled her head into Emily’s shoulder, and kissed her neck.



In (incomplete?) poem form:



Light blue halo over darkening land
Cold like some lunar landscape
Silver light, a flying fish
In the sun, and
Hair on the ground like ribbon
Or the curled skin of peeled fruit.



You, lucky reader, have just witnessed a momentous occaision: my first poem (in verse...second all up). There is confusion in the poem in terms of light: I say it's dark, but the silver flash also brings light into the piece and so evolves it in a poetry way. See, poetry is allowed to do things that that that regular prose can't. If I had put that in a story I wrote it would be pointed out that it confuses the reader, like if you describe darkness by saying a lack of light in some way - it instantly brings light to it rather than just evoking darkness. But in poetry it can be used nice and symbolically. Gooo poetry! I don't like how there's nobody actually in the poem though. I want the two girls there. But I don't want to write that part right now.
Hidden message of this post: I'm a lesbian (which makes writing a piece with two 'shes' in it a little difficult). Sorry jared :(

Saturday, May 03, 2008

Put smarties tubes on cats legs make them walk like a robot



Some things I'm addicted to:

Looking different enough that I'm definitely not mainstream, but not in such a way that I look like I'm just not cool or daggy or ugly in any way
Not being fat
Proving I'm pretty cool to random strangers who couldn't care less

Some things I like:

Michael Jackson
Train trips
Listening to my ipod on shuffle
Kitties
Puppies
Duckies
Horsies
Birdies
Animals
The fact that the second movement of Bach's Cantata 140 so seamlessly becomes Wake Up by the String Chesse Incident when they come up one after the other on shuffle
Perfectly clear sunny days
Overcast days with pretty skies
Long periods when the day is barely seen, at least not without being covered in some sort of haze/film
Beautiful places of seeming degredation
The inner city
Parking lots and service stations and empty streets at night
Old townhouses
Miniature things
Awkward moments
The disgusting feeling of needing to brush my teeth but not being able to
Epiphanies; times when everything is so perfect, even though it's not
The very north point of Central's platform 18
The idea of picnics with people in ugly barren wastelands like the plains at the north end of Central, or the sides of railway tracks in general, or abandoned lots...
Toothbrush conversations


Is it taking passion for someone too far when you start to miss them four hours before they're going to leave for their 'job' because it's three o'clock in the morning and you're both tired and know there won't be much awakeness before then? Or maybe it just means I win, compared to a meager missing during a goodbye hug. Or not.

Monday, April 21, 2008

A husky French woman sings out from my computor accompanied by pretty piano notes, soft drums and subtle guitaring. A definite beat made in subtleties

Wow, what a wanky heading.
Hello!
I was listening to Johnny Cash, and then some Frenchie jazz-singin' woman, and now it's Last Dance by Dirty Three, which is a very nice song...and what's coming next...Haha Foo Fighters, omg how embarassment. Although this particular song does have some meaning to me. It's to do with something that I've already written in this post but doesn't come until after this because I'm using my powers of witchcraft to bend space and time! (/the wonders of technology). Ok, next try, mmm pretties - The Killing Moon sung by Nouvelle Vague. Anyway, while music is nice, I shan't spend this while post listening to itunes on shuffle and writing about every song that comes on (although that might be interesting to try one time, at least to me). I'm starting to like Tegan and Sara more now. I didn't at first, but they're growing on me.
My blog has a new template. Much nicer, methinks.
Me also thinks that there is so much to be had in life it's getting increasingly difficult just to waste it by doing things half-heartedly. This year has been an amazing one for me so far, pretty much exactly from the moment it began. My life is actually becoming what I've always wanted it to be. And I now seem to have a more of an ability to do things - internal things, that is, things which are sort of hard to communicate because they are experienced and also seem unrelated but are soemwho connected...Let me try to explain. Before, I just did not seem to have the ability to do things, even though I so so wanted to. Things like...it's hard to explain. Examples: I used to find it really hard to do uni work because I would get all disillusioned at the fact that there was so much to do that I just didn't have time to do, and so I'd end up hating it and doing nothing. But I used my newfound skill of just sitting with this feeling and also wanting to find a solution to it and over a period of time it worked out. Although I've done the whole wanting to find a solution to something and trying for it before, it's never worked like it do this time. So now I'm much better at doing my uni work. Or another example: When inspired to do things with more love, it isn't so much of a desperate yearning to be able to do it without being able to consciously do it now, but I seem to be able to actually do it when I decide to. I don't know how much sense this makes, but basically, where last year I was actually unable to do certain things (I know that term is debateable, but that was effectively how it was) I am now more able. It's really quite awesome. The other night I did a bit of 'jamming' on my flute with Arcade Fire, and though it was nothing too impressive, I actually played stuff, which I wouldn't have been able to do a few months ago (and it's not because of pracitise in fluting, since I haven't played the flute in quite some time). Also, I draw a bit now. I know I'm not the best, laregly because I haven't practiced much, I suppose, but I've just started from what I seem to have an inkling towards - curly lines of sorts - and just accepted that and gone from there. It's nice. I made my first proper thing a little bit ago and I'm quite proud of it. I've made a few things that may not seem like much, but make me very proud, and, when I think about it more and remember why I could do them, very grateful. I have some amazing people in my life who may not think that the way they live and the things they say are of that much consequence, but who have been so important to helping me live better. Love. One person in particular, who is also probably the only person who reads this.
Now I'm going to try and reflect on crazy old Kristeva and then write about Dominic Andreas the hallucinating taxi driver, while listening to The Velocity of Saul at the Time of His Conversion on loop, at least for a while. Goodday

Tuesday, April 15, 2008

You change all the lead sleeping in my head

"The hardest knot is but a meandering string; tough to the fingernails, but really a matter of lazy and graceful loopings. The eye undoes it, while clumsy fingers bleed" (Nabokov, in The Real Life of Sebastian Knight)

Last night I watched Pan's Labyrinth. Then I went outside and looked at the night, and a rather bright shooting star materialised and disappeared again in the corner of my eye. After I'd finished making a wish it happened a second time and I got to wish some more. Then I imagined fairies on the roses and they felt so real. Then I looked at the moon through the tiniest hole possible between my curled fingers and the palm of my hand, and it was only then that i resolved the violence of the film in my head and came to understand it better. The night's (and a continuity of the strings of coincidences it had with the day) legacy: a heightened ability to write, because writing is so inextricably intertwined with an ability to life. The story I'm writing at the moment is about man in his early twenties who is a night time taxi driver, which was supposed ot be a temporary job but has gone on much longer than intended because the woman who was pregnant with his child and he was supposed to marry (she was sixteen) disappeared (left him?), and now he hallucinates her, and talks to himself a way that is harmless but still disconcerting to his passengers. He has a strangely heightened sense of light, and falls in love with a transexual male wearing a gold sequined dress like the sun.
I was waiting in a line the other day and a little girl, three or four, stood in front of me, looked up at me with this smile on her face, and then hugged my legs.
I finished an assignment the other day almost a full twenty four hours before it was due, and I'm doing another one now that I was half way through yesterday (Monday) and isn't due until Friday!
Baibai :)